Multiplayers is a collection that is, self-referentially, seeking to create a new visual identity based on art, music, film, and literature that forms a sense of personal harmony. It is inspired primarily by the idea of body as instrument, and it was architecturally modeled after the shape of musician’s bodies as they played. Meant to be a nod to the hybrid personas we are all in possession of, the pieces in the collection feel held together by gravity and whim. Disparate fragments do indeed form in unintelligible harmonious whole.
In your opinion, how does clothing speak to heritage and identity?
The way we dress is a choice we make, and whether the choices are conscious or subconscious, they are influenced by an individual’s past experiences. Each person has different elements of clothing that they consider important based on these experiences. Some people may value the quality and craftsmanship, while others may primarily value the trend and style. Some people may resonate with primary colors, while some are more comfortable with neutrals. Without saying one is right or wrong, it is possible to synthesize a character from clothing. As a designer, I highly utilize clothing to make a visual statement and express my identity.
Where have you traveled that has inspired your designs, and how can we see it reflected?
My aesthetics today are highly influenced by my experience in New York while embracing my background growing up in Myanmar. My memories of Myanmar are full of lively colours, loosely fit clothing, and the feel of summer all year long. There is a sense of delicacy and softness in the Burmese language and gestures. The underdeveloped environment of Myanmar influenced my designs to be more inspired by emotions and mythical stories in combination with bold and structured silhouettes derived from New York’s chic, fast-paced environment.
If you could only visit one other country again (besides your own), which would you choose and why?
If I could only visit one other country again (besides my own), it would definitely be Myanmar. Myanmar is one of the most beautiful countries in the world, and I was privileged to be raised there for 14 years before coming to the US. It is like my second home, one that feels very mystical with a mix of urban and rural environments. Myanmar is a place that allowed me as a child to grow up with fascinating imaginations and adventures, by listening to traditionally mythical stories and running around with friends in a city surrounded by nature. It is a place full of innocent and wild memories, as well as where my parents are still living today.
What is your ideal way of traveling and why?
My ideal way of traveling would be, first of all, to have one of my best friends to travel with (I do not prefer travelling alone)! I would also have to make a list of the events / festivals / exhibitions etc. that are happening during the dates of the places I am travelling to. Other than that, the purpose of traveling for me would most likely be to give myself a rest. Good people, good places, and good food. That’s all that matters.
Would you rather swim with the dolphins or dive with the sharks?
Swim with the dolphins!
What classic film would you love to see remade with your designs?
I have never thought about my clothes in movies I have watched – I would end up creating an entirely new movie scenario! However, some of my favorite movies I am inspired by are Her, About Time, and Attila Marcel.
Which country’s street style is most appealing?
I love to follow street styles from all over the world, but my favorite would be New York. There is something very cool and chic about the people of New York, and I love its diversity. In NY, no one really cares too much about what others think. This open minded freedom seems to be reflected in their street style.
If you could hold a fashion show on any national monument or world wonder, what would you choose?
I have always loved the idea of fashion in collaboration with art, so I would dream of a fashion show/exhibition at the Metropolitan Museum of Art in New York.
