What’s the part of your creative process you’ll never show anyone?
That would be the quiet moments of doubt when I sit with an unfinished idea and wonder if I’m even capable of bringing it to life. That vulnerable space fuels me, but I like to keep it to myself.
Which piece taught you the most about yourself?
It wouldn’t be just a single piece, but my “Youthful Spirits” series reminded me that my work isn’t just about creating images; it’s about preserving memory, culture, and the resilience of Ghanaian women.
How would you describe your work to someone who can’t see?
My work feels gentle and hopeful, like the start of a new day. The beautiful black skin of African girls shifts between roughness and smoothness. The pieces show both struggle and ease. The red in my work feels like the sun’s warmth on your skin. The blues are like cool water running over your hands. The yellows are bright and playful.
Do you start with chaos or precision?
Always chaos. My process begins with scattered thoughts and emotions. Precision only arrives later when I start shaping that chaos into something that speaks.
If your art had a dating profile, what would its bio say?
Loves color, holds stories, sometimes heavy but always hopeful, and tells African narratives through art. Looking to connect with souls who believe beauty can heal.
